Research on the Inheritance and Development of Bian Embroidery in the Context of Regional Characteristics Development
DOI: 10.23977/jsoce.2023.050603 | Downloads: 20 | Views: 606
Author(s)
Zhang Yichen 1, Yang Dezhong 1
Affiliation(s)
1 School of Art, Anhui University of Finance and Economics, Bengbu, 233020, China
Corresponding Author
Zhang YichenABSTRACT
Bian embroidery, originated from the Northern Song Dynasty, one of the traditional Chinese embroidery crafts, is the representative embroidery of Kaifeng area and even the whole Central Plains. The art form of combining Chinese traditional painting and calligraphy with embroidery has an important influence in the history of Chinese embroidery. This original way of using embroidery instead of painting has become an integral part of the development history of Chinese embroidery. With the demise of the Northern Song Dynasty, Bian embroidery has gradually declined, and there are many problems in the inheritance of Bian embroidery, such as the lack of professional embroiderers, single type of works, serious reproduction of products, serious aging of inheritors, etc., which need to be protected and inherited. This paper explores innovative inheritance and development methods based on the development of regional characteristics, provides new ideas for the inheritance and development of Bian embroidery, drives the development of local cultural industry and further promotes regional economic prosperity.
KEYWORDS
Bian embroidery, Inheritance, Development, Regional CharacteristicsCITE THIS PAPER
Zhang Yichen, Yang Dezhong, Research on the Inheritance and Development of Bian Embroidery in the Context of Regional Characteristics Development. Journal of Sociology and Ethnology (2023) Vol. 5: 11-16. DOI: http://dx.doi.org/10.23977/jsoce.2023.050603.
REFERENCES
[1] Song Meng Yuanlao, Wang Yongkuan. Tokyo Menghualu [M], Zhongzhou Ancient Books Publishing House, 2017: 107.
[2] See Wang Suhua. The current situation and development of Kaifeng Bian embroidery [J]. Northern literature (second half of the month).2011(04):150-151.
[3] Li Hongfu. The interpretation of symbols of folk embroidery patterns [J]. Journal of Dalian University. 2008(02):93-97.
[4] Chen Yan. Research on the artistic characteristics and development and protection of Kaifeng Bian embroidery [J]. Folk Art Research. 2012(04):83-87.
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