Author(s)

Ma Hanchen ¹

Affiliation(s)

¹ Xingyi Normal University for Nationalities, Xingyi, Guizhou, China

Corresponding Author

Ma Hanchen

ABSTRACT

Each art field has its own different artistic expression, and any work of art can show some aesthetic value. In other words, the presentation of all art has gone beyond the content of the work itself, with the subjective element being integrated into the objective element. The essence of art is actually an external presentation of the inner emotions of a person, which is transformed by visual perception art into physiological and psychological mechanisms, so as to convey to the outside world the content of the thing itself. As a kind of traditional Chinese culture, the artistic expression of calligraphy presents its aesthetic emotion and spiritual connotation through font. Anything is not an individual that exists alone, but a representation of many phenomena and things combined together, which are all cognitive, as is the expression of calligraphy.

KEYWORDS

Artistic expression, Calligraphy, Symbol, Force

CITE THIS PAPER

Ma Hanchen. On the Embodiment of Arnheim's Artistic Expression Theory in Chinese Calligraphy. Advances in Educational Technology and Psychology (2021) 5: 32-37. DOI: http://dx.doi.org/10.23977/aetp.2021.58008

REFERENCES

[1] Rudolf Arnheim. Art and Visual Perception [M] Translated by Teng Shouyao. Sichuan People's Publishing House, 1998.
[2] Song Yiwei. Appearance and Reappearance: Artistic Concept from the Standpoint of Dualism Theory [J]. Journal of Jinzhou Normal University, 2003
[3] Zong Baihua. Aesthetic Walk [M]. Shanghai People's Publishing House, 1981.
[4] Susan Langer. Problems of Art [M] Translated by Teng Shouyao. Nanjing Press, 2006.
[5] Wallinger. Abstraction and Empathy [M]. Translated by Wang Caiyong. SBN:9787802515567 Press, 2010
[6] Li Zehou. Course of Beauty [M] Life.Reading. Xinzhi Sanlian Bookstore, 2009.

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