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Discussion on the Application and Integration of Traditional Cultural Elements from the Perspective of the Art Anthropology--Taking the Stone Carvings of the Han Dynasty in Xiao County, Anhui Province

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DOI: 10.23977/jfar.2021.010312 | Downloads: 5 | Views: 250

Author(s)

Ding Qian’er 1, Wang Cheng 1

Affiliation(s)

1 School Of Art, Anhui University Of Finance And Economics, Bengbu, 233030, China

Corresponding Author

Ding Qian’er

ABSTRACT

Art Anthropology, as a kind of empirical science and the forerunner of new art science, is both cultural anthropology and aesthetics. Historically, many art theories reflect something about the art anthropology. The task of arts is to logically reveal the generation mechanism of art and historically describe the generation process of art. The formation and development of traditional culture is closely related to the art anthropology, and the stone carvings from the Han Dynasty in the culture of Xiao County are the most representative. This article mainly explores the application and integration of the most representative traditional cultural elements in Xiao County from the perspective of the art anthropology.

KEYWORDS

Art anthropology, Traditional cultural elements, Stone carvings of the han dynasty, Innovative development

CITE THIS PAPER

Ding Qian’er, Wang Cheng, Discussion on the Application and Integration of Traditional Cultural Elements from the Perspective of the Art Anthropology--Taking the Stone Carvings of the Han Dynasty in Xiao County, Anhui Province. Journal of Frontiers in Art Research (2021) 1: 62-66. DOI: http://dx.doi.org/10.23977/jfar.2021.010312

REFERENCES

[1] Gao Yanan (2020). Preliminary Study on the Shapes of Stone Carvings in Xiao County. Cultural Relics World, vol. 2, pp.35-38.
[2] Liu Jian (2020). Art Anthropology as a Component of Arts. Journal of Yunnan Arts University, vol. 3, pp. 43-47.
[3] He Jia (2019). Discussion on the Reconstruction of Folk Art from the Perspective of Art Anthropology. Creative Design Source, vol. 3, pp. 35-39.
[4] Wu Heng (2020). Research on the Line Aesthetics that Embodies the Artistic Forms of Classical Chinese Paintings. Journal of Beijing Institute of Graphic Communication, vol. 28, no.1, pp.13-15+33.
[5] Yang Yunjing (2018). Outer Clumsiness and Inner Fineness, Simple and Concise Strokes- Analysis of the Artistic Characteristics in Xiao County, Anhui Province. Studio of Glorious Treasures, vol. 2, pp.70-93.
[6] Wu Ruoming (2017). Image and Derivation--Several International Concepts in the Research of Han Dynasty’s Stone Carvings. Journal of Tianjin Academy of Fine Arts, vol.9, pp. 103-106.

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