Author(s)

Xiaolan Xie ¹

Affiliation(s)

¹ College of Music, Hengyang Normal University, Hengyang 421002, China

Corresponding Author

ABSTRACT

Emotion and reason often have a certain degree of antagonism. Excessive rationality may lead performers to rely on “too many rules”, look at the so-called “standard methods” rigidly, lose the flexibility and creativity of skills, so that the singer can not play a rational positive nature in the performance. So we need their emotional input, it can be a will to power, but in some cases, will also be dialectic become resistance of will, the singer spirits, vocalize desire you will have a strong, but the mood is low, will sing the lack of passion, even don't want to sound, the mood will be a singing voice will drag.

KEYWORDS

CITE THIS PAPER

Xiaolan Xie. On the Rational Control of Singing Emotion. Art and Performance Letters (2021) 2: 19-21. DOI: http://dx.doi.org/10.23977/artpl.2021.21004.

REFERENCES

[1] Zhen Lifu. Scientific Voice Practice [M]. Beijing: Communication University of China Press, 2005.
[2] Zheng Bixian.60 Drama Stage Performance Introduction Practical Training [M]. Beijing: Modern Press, 2005
[3] Zhang Qian. Manuscript of Music Performing Arts [M]. Beijing: China Minzu University Press, 2004
[4] Zou Changhai. Vocal Art Psychology [M]. Beijing: People's Music Publishing House, 2000
[5] Zou Benchu. A Study on the System of Shen Xiang Singing [M]. Beijing: People's Music Publishing House, 2000.

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